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Here are all the paintings of WITTE, Emanuel de 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 21782 |
 |
Church Interior (mk08) |
c.1660
Oil on canvas
80x66cm
St Petersburg,Hermitage |
| 7269 |
 |
Interior of a Church |
Oil on wood, 68 x 51 cm
Pushkin Museum, Moscow |
| 7271 |
 |
Interior of a Church |
1668
Oil on canvas
Museum Boymans-van Beuningen, Rotterdam |
| 7272 |
 |
Interior of a Church |
c. 1660
Oil on canvas, 80 x 66 cm
The Hermitage, St. Petersburg |
| 7273 |
 |
Interior of a Church |
1674
Oil on canvas, 79x 69 cm
Wallraf-Richartz Museum, Cologne |
| 56100 |
 |
interior of a church |
mk247
c.1680,oil on canvas,47.25x41 in,120x104 cm,hamburger kunsthalle,hamburg,germany |
| 52558 |
 |
Interior of a Protastant Gothic Church |
1668 Oil on canvas, 78,5 x 111,5 cm |
| 7270 |
 |
Interior of the Oude Kerk at Delft during a Sermon |
1651
Oil on wood, 61 x 44 cm
Wallace Collection, London |
| 30581 |
 |
Interior of the Oude Kerk in Amsterdam |
mk68
Oil on canvas
The Hague,Mauritshuis
c.1654
Netherlands
|
| 7275 |
 |
Interior of the Portuguese Synagogue in Amsterdam |
Oil on canvas
Rijksmuseum, Amsterdam |
| 7276 |
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Interior with a Woman at the Virginals |
c. 1665
Oil on canvas
Museum Boymans-van Beuningen, Rotterdam |
| 7268 |
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The Courtyard of the Old Exchange in Amsterdam |
1653
Oil on panel, 48 x 47,5 cm
Museum Boymans-van Beuningen, Rotterdam |
| 7274 |
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The Interior of the Oude Kerk, Amsterdam, during a Sermon |
1658-59
Oil on canvas, 79 x 63 cm
National Gallery, London |
| 43194 |
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The Interior of the Oude Kerk,Amsterdam,During a Sermon |
mk170
circa 1660
Oil on canvas
51.1x56.2cm
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| WITTE, Emanuel de
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| Dutch Baroque Era Painter, ca.1617-1691
Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family
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